"[A] major intervention into the emergent field of Andalusian music studies: it is amongst the first full-blown anthropological studies of these traditions, and the first to attempt a cross-cultural comparative perspective.... [A] thought-provoking and illuminating study of the role played by the image and memory of al-Andalus in the modern Mediterranean world." ?Carl Davila, SUNY College at Brockport
"In this elegant, innovative ethnography of pan-Mediterranean musical connections, Jonathan Shannon identifies a protean 'rhetoric of al-Andalus' that intersects, crosscuts, undermines, and reaffirms standard historical narratives and contemporary national boundaries. Linking musical performance to artistic and political discourses, he reveals alternative imaginaries of belonging, and suggests the productive potential of nostalgiaPerforming al-Andalusillustrates how competing notions of Umayyad Spain?a Muslim golden age for Islamists, an idyll of tolerance for secularists?serve to critique a challenging present and inspire visions of a different future." ?Christa Salamandra, Lehman College and Graduate Center, CUNY
"[This] study is well-written, engaging, and supported by a substantial bibliography.... Recommended." ?Choice
Jonathan Holt Shannon is Professor of Anthropology at Hunter College, CUNY. He is author of Among the Jasmine Trees: Music and Modernity in Contemporary Syria and A Wintry Day in Damascus: Syrian Stories.
"Performing al-Andalus is a timely intervention in one of the most crucial debates of our time: the relationship between the Arab world and the West. With great erudition, delicacy of feeling, and stylistic elegance Shannon explores the feelings of commonality and estrangement through which musicians and audiences in Syria, Morocco, and Spain remember a bygone era of multicultural conviviality and envision a shared future in a new Mediterranean--beyond rigid terrestrial cartographies, beyond shipwrecked refugees, beyond the 'war on terror,' and beyond Islamophobia. A must-read." ?Veit Erlmann, University of Texas Overture Performance, Nostalgia, and the Rhetoric of al-Andalus: Mediterranean Soundings Glossary
Acknowledgments
A Note on Transliteration
1. In the Shadows of Ziryab: Narratives of al-Andalus and Andalusian Music
2. The Rhetoric of al-Andalus in Modern Syria, or, There and Back Again
3. The Rhetoric of al-Andalus in Morocco: Genealogical Imagination and Authenticity
4. The Rhetoric of al-Andalus in Spain: Nostalgic Dwelling among the Children of Ziryab
Finalis The Project of al-Andalus and Nostalgic Dwelling in the 21st Century
Notes
References
Index